Play Piano Like a PRO!

Friday, November 18, 2011

How to Make Hip Hop Beats - Shh! Something Big Is Coming... Like Music To My Ears!

Thought I would send you a quick email out as I have some very exciting news and I just could not keep it to myself!

You like urban music right?

Dumb question - Of course you do!

Well let me ask you a question:

"Have you ever thought about making your own beats and music?"

Chances are that you have, although if you are anything like me when
I was looking for some info on how to do this from scratch - there is not a lot of info and or the systems cost way too much!

Of course - if you have a recording studio or a bunch of money to keep going to one - you are fine! Although alot of us are not in the position to part with that much cash, right?

Well there is something on the horizon that will really shake up the music world pretty soon. . ...

.. .Not sure if you've heard but Dub Turbo is due to be released soon

What is Dub Turbo? Watch A great video demo and see for yourself in 2 minutes.

>>>>>>> <Click Here!>

It is a new to market DAW (Digital Audio Workstation) and the best thing is it caters for pros and the complete beginner alike!

If you just want to get to making music, and you don't want the hassle of having to learn music theory or take expensive production courses - then you need to check it out!

Check out the demo they have going on at their site - I was really impressed with the over all project:

>>>>>>> <Click Here!>

I'm going to do a proper review of this and be in touch in the near future, for now I'm having way too much fun making killer beats :) So far I've made 4 in a matter of 23 minutes before I thought "I gotta tell my VIP list about this" - so enjoy!

Till next time

Ron
               

Tuesday, May 25, 2010

Play Piano - Important Material You Should Memorize to Play Piano!

  1. How should chords be learned?
  2. What should be the greatest distance between the hands when playing root open position chords?
  3. What is a reaction to a chord symbol?
  4. The combination of a lowered 7th tone and a minor 3rd produces what kind of 7th chord?
  5. Which notes should you try to double in the open root position?
  6. What is the lowest note on the piano that you can play as a root note?
  7. Where is the lowered 7th tone located?
  8. The combination of a lowered 7th tone and a major 3rd produces what kind of 7th chord?
  9. If you are playing the root of the chord below low E, what should you do?
To learn these answers, you need to join my membership program!

Wednesday, April 14, 2010

You really got a hold on me - Smokey Robinson & the Miracles

Sunday, April 04, 2010

Play Piano - Playing Keyboard Bass Lines

Left Hand Technique for Keyboards

In recent years, with advances in electronic keyboard technology and decreases in music performance budgets, the keyboardist has been called upon increasingly to play multiple roles.

Among these roles is that of a bass player.

My piano instruction eBooks and DVDs provide a "step-by-step" approach to learning how to play left hand bass lines at the keyboard.

My case studies and exercises cover the chord progressions and styles that the player will encounter in the real world.

Players of all levels will benefit from the focus on:
  • walking bass lines
  • playing in a "two-feel"
  • waltz time
  • latin styles
  • putting both hands together
To order your DVDs and eBook, go to: www.MrRonsMusic.com

(301) 755-5821



Saturday, July 18, 2009

Guidelines for Playing Piano by Ear to Write Music!

Begin your sketches with a simple, basic idea: a sound you like, a group of pitches, and interesting harmony, an attractive rhythm, an idea for lyrics, and so on.

Next step: think out a number of possibilities for developing, expanding, exploiting, and contrasting your basic idea.

For example:
  1. A group of pitches can be played forward, backward, up side down, or with its order rearranged.
  2. You can keep the overall shape of a pitch group (the way it moves up and down), but change it by opening up or tightening the distance (interval) from one note to the next.
  3. The same pitch group can be varied by changing its speed, meter, or rhythm... or by changing its "color" through changes of instrumental register (high vs. low).
  4. A rhythmic idea, no matter how simple, can be stretched, tightened up, fragmented, or transformed into a a repeated figure.
  5. A rhythmic idea can be applied to different pitch groups, or used to give movement to your favorite chord progression.
  6. A harmony can be intensified by adding "color" tones (7th, 9th, added 6th, suspended tones, etc.); or softened by subtracting chord tones; or given a refreshed sound by the way you voice the harmony on the piano.
Try to keep a relaxed attitude toward your study of piano, and an open mind about new ideas that almost always turn up while you're experimenting with your sketches.

Above all, don't lock yourself into one way of thinking. After a certain point, a piece may have its own ideas about the way it should develop; don't try to force it into a cookie mold!

Let it grow and breathe.

Saturday, June 20, 2009

Play Piano - Father's Day Weekend Sale on Select Products!




Tuesday, June 09, 2009

Play Piano - How to Learn to Play Piano


How to Practice to Play Piano!

Whether you are practicing an exercise or a tune, it is important to always make it sound musical and to give it a sense of "flow."
Flow means that you can play it smoothly and without hesitation - the HANDS and BRAIN are calm and unhurried as you move from measure to measure in the song.
Perhaps the most useful skill in practicing music is the ability to sense when the music is not flowing, to isolate the problem area, and to FIX it!
Fixing the problem usually involves two strategies:
  1. slowing the tempo; and/or
  2. simplifying the problem (i.e. practicing a smaller piece of material and separating the hands.)
This all goes against our natural instinct, which is to try to play something as we imagine it should sound, even though there is NO flow!
Here is an important guideline which I call the Rule of Flow:
Never increase the practice tempo on a piece of material until you can play it perfectly!
Practicing something much faster than you can play it perfectly may be gratifying to your ego, but you are not really learning it.
The truth is that you cannot play something fast until you can play it slowly!
To learn more, I invite you to visit the following resources: